Enjoy the journey.

Tag: journal (Page 1 of 2)

June Was….

Apologies for two gallery posts in a row, but it’s that time! We’ve bid farewell to June and are gearing up for a frankly horrible July… so we’re lucky we have such wonderful things to remember!

June was lovely meals, trips to Kyoto and wanders at wonderful Fushimi Inari; this time with Gem’s older sister and family who came to visit early in the month (our last visitors in Japan!) Nagahama has resumed regular warm-weather routines and we received more visits from our friends, the rat snakes. Kin’s school also had a much more exciting visit from sumo champion Hakuhō Shō and several members of his stable. And, of course, June was Gem’s graduation ceremony to a slightly higher grade of tea ceremony practice.

June was warm, family-filled and very, very busy… but was still nothing compared to the madness that will be July. Wish us luck, everyone!

(Gem will add a more complete gallery to our Facebook and Flickr pages later in the week!)

Gem and Kin

 

 

Look Who Came to Visit!

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It’s spring alright! The rice fields are green and full of joy (for frogs) and the nights are dark and full of lurve… also for frogs. As well as having bats to watch, every evening we can also listen to the chorus of croaking from all directions.

Of course, all of this activity means that other creatures are becoming active too, including this fellow:

Snake I, swimming

This is a Japanese rat snake (Elaphe climacophora) that I spotted while watering the beans. It seemed pretty determined to work its way up the canal, so we figured it was heading out to the big rice fields to find frogs like the one above. Being Australian, I immediately yelled for Kin to grab his camera and he raced up the canal in pursuit.

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Unfortunately, his model did NOT feel cooperative. Rat snakes are quite timid (and, apparently, very bitey) so it decided to try and pretend that it wasn’t there and wait for the camera to go away.

Kin was a little disappointed but, as it turns out, he didn’t need to be! When I went for a run along the same canal, I found another friend for him to photograph!

Snake II; full length

Another rat snake! They must be everywhere at the moment! This one seemed a little less timid than the first and allowed Kin and his camera to get quite close. It was proceeding in the same direction as the other fellow, so there must be something attractive (to snakes) in that part of town.

Snake II, head, higher angle

Hello, snake II!

It seems that Japanese people respond to rat snakes much the same way as Australians do to carpet pythons, so our friends should have a safe journey, wherever they’re going. It was lovely to see these beauties and we wish them well on their travels. It’s also fun giving our U.S. friends the screaming heebie-jeebies with these photos!

Is anyone interesting out and about in your area? Have they come to say hello?

We’ve just made a Flickr account, so I’m gradually uploading our photos there (including our Facebook albums). If you want to see more snake pictures or others (soon), please come and visit us!

Gem,

XX

Golden Week

By Gem

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It’s Sunday night of a lovely long weekend here in Nagahama, and we’ve been spending it doing things we like best!

Yesterday, we finished everything that needed finishing (housework, shopping and the final co-op missions of Halo 4) and we’re off to have adventures in the south on Monday and Tuesday, so we’ve spent this Sunday having a lovely, gentle time.

A sleep-in for Kin, while I made a morning visit to friends in Kinomoto, then home to a simple lunch, scavenged from the contents of the fridge (I told you it’s good to keep soup and salad dressing in there!)

Kin then headed out to do some pottery in Kurokabe, while I baked bread, puttered around in my pots and studied for an hour or two. When he got home, we enjoyed afternoon tea together; you may notice we’re eating some of the same banana bread at both lunch and afternoon tea. That banana bread is actually a bit of an accident…

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A few weeks ago, my sister inspired me to make a nice, big batch of dulce de leche and, when I noticed our bananas were beginning to look a little sad in their bowl, I thought that I was being provided with a wonderful opportunity to transform my ingredients into a delicious banoffee pie for us to enjoy over the weekend. A little chocolate, a little cream, a drizzle of toffee sauce…. Subarashii!

What actually happened was that I got home on Friday evening, opened the last container of dulce de leche, tasted it to be sure it was still okay and then grew canines, howled at the moon and devoured the lot with a soup spoon.

(I wasn’t really in a fit state to observe myself, you understand, but I’m pretty certain this version of events is pretty close to being true.)

At any rate, I was left with the situation of having a bunch of sick-looking bananas and no caramel, so banana bread was a fairly obvious choice; cold slices for snacks and hot chunks with custard for desserts. Combined with the bread Oinky and I baked, this treat has made our apartment smell absolutely lovely. Outside, the air still carries a fairly heavy chill, but inside, everything is warm and clean and wonderfully fragrant. Life is good.

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The indoor refugees don’t seem to be phased by the cold; they’re so happy to be outdoors, they’re shooting up like rockets. The cold, gusty wind is giving my poor snow peas some trouble though. Every time they try to get a grip on the balcony railing, they’re blown off! After this photo was taken, I tethered them with a bit of hundred yen crochet cotton (Kin says the balcony looks like a spider web now!) and that seems to be helping them hang on a bit better.

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And now, I’m preparing dinner and listening to Kin sigh while he sketches. I’m so proud of him at the moment, I could explode!

Kin has just completed the Betty Edwards drawing program for the second time, and the results have been phenomenal. You can see his previous “Before” and “After” self portraits here (seriously, go look at them, I want you to see how awesome this is).

Now have a look at this:

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That was his latest “After” portrait. Isn’t he amazing?

It’s lovely when we can combine peacefulness and productivity this way. We’re looking forward to exciting times over the next few days of Golden Week, but we’re both very glad we had a little stretch to work and recuperate first.

However you’re spending your week, we hope you enjoy it! Don’t forget to take some downtime.

(For a calorie count of my caramel orgy, or a look at more of Kin’s photos, please check out our Facebook page!)

Best wishes,

Gem

XX

April was…

Sweets

April sweets.

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And an April Fool (we won’t see Shallow again until August).

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Very important preparations being made.

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By Kin as well! He’ll be studying again in August and is making sure that he’s ready.

 

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Hikiyama Matsuri (one of Nagahama’s most famous festivals).


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Time to resume our Lake Biwa adventures!

 

April was short days, long bike rides and genuine joy at being outdoors. It was time for both of us to shake off our winter blues and get back to work on our drawing, studying and just straight making; food, ceramics and music.

We’re looking forward to a period of rest and focus in May, before we really start to get ready for Australia!

Kin and Gem

XX

 

RIP, My Lovely Scarf

By Gem

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I didn’t write a post yesterday, because I had a HORRIBLE afternoon. I’m tired and lurgy, so I was in no mood to go to my Tea Ceremony lesson, but I decided to be stern with myself (it’s a few hours out of my afternoon, it’s not that demanding an activity, the serene atmosphere would make me feel better, etc). So, when work ended, I wrapped myself in my scarf and coat, trudged to the station and plonked onto the Kinomoto train, where I sat in an unhappy daze with my scarf beside me… until I stood up and left it on the train!

And it was THAT scarf! My soft blue, lamb’s wool scarf that Kin chose the yarn for. My second-ever knitting project! I only finished it a few weeks ago, on the way back from Tokyo and it’s already gone.

I actually DID remember my scarf before the train got away, so I raced back along the platform with a JR employee and scoured the carriages for it, but some rotten sod had whipped it in the time it took us to get back there! I hoped so much that they’d simply picked it up to hand in to lost property, but it was not to be.

Tea Ceremony was a sad experience that day. Not only had it cost me my lovely scarf, lugging my bag around had given me a headache and I was far too wooly-headed and unhappy to actually learn anything. By seven, I decided that the day was a write-off, so I bid my sensei farewell and left early to catch the seven thirty train.

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…and missed it. So I had an hour to sit scarfless in the cold, reflecting on how much nicer everything would be right then if I’d been less strong willed and had just gone home when I wanted to. Now I wasn’t going to be home until nine AND I still had to make dinner and wash my hair. As far as first-world problems go, I was suffering badly last night.

Kin, thankfully, knows how to put me back together, so I didn’t have time to take off my coat before he bundled me off for steak and cheap wine at the imitation Italian joint down the road (bless him). A decanter of dodgy white is generally all it takes to improve my outlook (not to mention my headache) so I felt much better about the world before very long at all.

So what was the take-away from my unhappy evening (since “wine makes everything better!” is probably not a good moral)?

While I was still shivering in the dark, I thought that the moral to this story was that if you really, really don’t want to do something, you’re a lot better off not doing it. Revived by steak and sauvignon blanc, I still broadly agreed with that point of view, but could remember what that tired, chilly Gem could not; that the whole reason I’d dragged myself out was because I’ve been not-doing far too much lately! So maybe the lesson is really that it’s important to determine and maintain acceptable levels of activity, so that you don’t have to force yourself to do things when it genuinely is a bad time for you.

I actually like the second moral, even if it’s not very catchy, but I thought of an even better one today. I was really very, very sad about my scarf; I treasure my clothes and homewares, because I don’t have a lot of money to spend on that sort of thing. When that’s the case, and something happens to one of your possessions, it’s something of a tragedy. This time is different. I loved my scarf; it was lovely, soft and expensive, but…

I can make another one.

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A good scarf is bloody hard to find. Actual wool scarves cost a fortune and even finding a decently pretty acrylic is a matter of waiting until a shop finally has what you want and snapping it up the second it goes on sale (if it does). And if you lose it or stain it, it’s gone. You can’t have that scarf again. You have to resume waiting for the next pretty thing to turn up and hope that you have the money for it.

But my scarf wasn’t irreplaceable. Hours went into making it, but I was learning the entire time and now I know I can make it again; much, MUCH faster. I no longer have to wait for someone to design and produce a scarf for me at a price I can afford. It might not seem like much, but it shows how important it can be to an individual to develop a bit of independence in the production process.

(I’m trying to avoid the “teach a man to fish” parable here, but it just keeps seeming more appropriate with every word.)

This has made me more determined than ever to beg Beans for sewing lessons, stock up on crochet hooks and practice my knitting. Back when everyone could make things, I suppose store-bought items were a luxurious option. Now, though, we’re uncomfortably reliant on them; and the quality is dropping. Otherwise, why can no woman in the world find a blouse that is the right size for her knockers AND her waist? Not to mention opaque enough not to show her bra?

I don’t think we should all stop buying things; humans have always produced and traded goods, even when we were just doing it within our own villages. Our village is a lot larger now, but I love our interconnected world and I have no wish at all to shut myself away from it. I just think that it’s important for individuals (and communities) to keep their options open. In this case, if we had a little more independence when it came to making our own basic clothing, the products on the market would probably reflect the change.

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Now think: If a certain amount of independence is important for luxuries like pretty clothing, how much more important must it be for things like housing and food? And how capable are you of separating yourself from the marketplace for both?

I’m not, very. When we’re in Australia, I produce a lot of the vegetables we eat, but when it comes to grains, meat and fruit, we’re totally reliant on outside providers. And I’m a fairly accomplished cook, so foodwise, we’re more independent than most.

I don’t actually mind buying most of my food; I’m pretty sure the dude who made the best flint tools traded for a lot of his as well. But I’m very glad that I don’t need to depend on anyone else to turn those raw materials into meals for me. And it worries me how much other people my age DO seem to need it.

But when it comes to housing, I am hopeless. Both of my parents are competent with their hands, but I’m utterly useless. Carpentry is something I’ve desperately wanted to learn for years, just not desperately enough to do more about than search for local courses a few times a year and give up when I don’t find any. I should have bought a book, gone to open days at Bunnings or hired a carpenter to teach me some of the basics. When I get home, I will do those things, or whatever else needs to be done, and when I hire a specialist, it will be for a specialist job.

I plan on being a lot more independent in future. I will still work within my profession and  make money. And with that money, I will still participate in the world’s trading. But I’ll have the ability to be a lot more particular about what I’m buying.

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THAT is what my carelessness on the train has taught me. I feel stronger when I think of what I’ve already learned and I feel very, very good about the new things that I will learn and the new independence that will grow from it.

(….but… Oh! My lovely scarf!)

Are you growing, making or otherwise trying to keep a bit of distance between yourself and the markets of the world? How are you working on it?

 

Gem

XX

Tokyo: A Youtube Adventure

By Gem

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It seems that all the great cities of the world have been nicknamed. Chicago is the Windy City, Paris is the City of Love and Venice is beautifully known as the Bride of the Sea. Once a city reaches a certain age and size, it seems natural for its people to give it another name, one based on the culture and the character that place has developed.

All except Tokyo.

Tokyo is undoubtedly a great city, boasting the largest metropolitan economy in the world. It is a populous city, with around thirteen million permanent residents and a huge population of commuters from the surrounding countryside. And it is an old city (once called Edo) which has been the de facto capital of Japan for more than four hundred years. Yet for some reason, Tokyo has thus far evaded nicknaming. Is the culture not strong enough? Does the city lack personality?

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Quite, quite the opposite. Tokyo, in fact, has an excess of personality. Multiple personalities, if you will. Outside minds may have given the area one name, but to the residents, it’s never stopped being a collection of small (yet insanely densely populated) villages, each existing as its own mad little world and each certain that the next quake will be The Big One. What can you call a place like that? Bedlam? Godzilla’s Playground?

“Don’t EVER live in Tokyo for more than two years at a time,” insisted my Japanese teacher back in Oz. “You’ll go insane; and you won’t notice.”

This is a man whose racing bike has more than once whizzed by me doing forty km on a downhill run despite being declared LEGALLY BLIND more than a decade ago.

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He lived in Tokyo for six years.

Crazytown

Japan, overall, can be mad. But even among Japanese people, it’s accepted that Tokyo is much, much madder.

For one thing, the city is constantly changing. In the warmer days of spring, Japanese birds construct nests and Japanese builders hurl down and fling up buildings all over the country. But in Tokyo, they’re busy all year round, making buildings appear and vanish like mushrooms. Stores and advertisements are also constructed or painted on large vehicles (like the flatbed truck bearing massive-breasted, topless, singing battle robots that rolled by during our last visit to Kabukicho) which then move around the city playing deafening music at passers-by. Even without Godzilla or the Next Big Quake, everything is huge, but nothing feels permanent.

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Did I say everything was huge? That’s just the outside of the buildings. In their interiors and on the streets, Tokyo tries to pack as much of itself into the smallest spaces it can. That means low ceilings, narrow paths, tiny furniture and constantly touching at least three other people at once. The scale and density of Tokyo causes a low-grade mental pressure that takes genuine effort to resist.

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The major issue, though, is not really how much genuinely bizarre stuff (like the topless robots) is actually floating around the city, but how quickly you get used to it. The human brain is resilient and will absorb and adapt to any amount of bizarre stimuli, so in a place where so much is abnormal, your sense of normality becomes extremely unreliable.

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When you add the city’s multiple personalities to that mix and the bizarre ways in which they interact, more than anything, walking around in Tokyo is like a real-life version of those nights you find yourself in the weird part of Youtube. You see something, it looks interesting, you click on it, it leads to something else, you click on that, you keep clicking…. and before you know it, it’s three in the morning and you’re watching a man feed his underpants to a goat.

Fortunately, in Tokyo your service provider isn’t gathering any information on you.

What Happens in Tokyo….

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Ours would have had plenty on us before we even left our Akihabara hotel.

Although the manager had rented us tiny rooms with tinier ensuites, most of the hotel’s business actually comes from capsule rentals to drunk and weary salary men. Two thousand yen (about twenty dollars) grants them access to a large shared bathroom with lockers and a small, coffin-like space in the wall with just enough room for one sleeper and a porn magazine.

Does this seem strange? What’s stranger is that it only took about ten minutes before we were totally accustomed to the idea of going to sleep each night and waking up each morning knowing that there were a hundred businessmen sealed into the walls like wasp larvae.

If we leaned out of the window, we could see the local Pachinko Parlour, where an animated (and adorable) adventurer tugged on a jungle princess’ leopard-skin bikini top. Below, the taxi-drivers, neon-lit trucks and scooter daredevils played their terrifying game of dodgems, while sirens screamed all around, yet never arrested anyone. We could also watch tired office workers step onto the balcony for a cigarette and a moment to think, without ever noticing any of the frenzied activity around them.

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In Tokyo, the people are like islands.

Becoming an Island

Despite our inauspicious beginning, we fell into our Tokyo routine (and our island status) fairly quickly.

In the morning, I would wake up, give the wall (and its load of snoring businessmen) an affectionate pat and wander into the corridor to heat water for tea. When it was ready, the three of us would step out onto the tiny “balcony” to watch the dodgem game, the suited abseiler on the opposite building and, one morning, a procession of neon-decorated trucks blaring pop music to advertise the new Idolmaster Game (which will be released in May if you’re into that sort of thing. Please don’t tell me if you are.)

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After that, it was time for us to decide what to do with our day.

We visited Akihabara, of course; our anime-nerd leanings and our hotel’s location by Dentown made this an obvious choice. While we initially had a wonderful time, cramming ourselves between overstacked shelves of figurines, clothing and art books, we gradually started to notice that Akihabara seems to be morphing into something a lot more seedy and a lot less fun. I don’t know if the art has changed, or the current generation of nerds are a creepier breed, but it had a particularly bad effect on the guys, both of whom declared themselves finished with the place and in desperate need of a bath. And, after accidently catching the tail-end of an AKB-48 show, I couldn’t blame them. It makes me cringe to think that our students could potentially attend concerts in the same building as those sweating, tracksuit-wearing otaku waving their glow sticks at fifteen year olds dancing in ruffle skirts.

(Akihabara still has plenty to offer the nerdy traveller, but you might be more likely these days to just get in, buy it and get the hell back out without enjoying your time as much as you used to.)

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Ueno, mixing more of the old Japan with the new was much gentler on the guys’ bruised sensibilities and we spent quite a bit of time recuperating under the cherry blossoms in Ueno Park and in the Ueno markets. Asakasa, though crowded, is also a fairly relaxed place by Tokyo standards and is popular with backpackers and older Japanese tourists. Our objective was Sensou-ji, a holy site devoted to the bodhisattva Kannon, where people have been visiting and buying (actually quite reasonably priced) souvenirs for almost fifteen centuries. (I really love that about Japan; instead of trying to avoid the tourist traps and really connect with the ancient culture of an area, visiting the tourist traps is HOW you connect!)

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We skipped Shinjuku and Roppongi this time and very quickly zipped through Ginza, but Kin and Shallow indulged me and allowed me a lot of time in Shibuya.

I adore Shibuya; I could spend all day there, just watching people and walking around. This area is a bit of an artistic and fashion centre, not just for designers and multinationals, but also for the kids who stitch, paint or hammer together their own looks and styles and, when they get a little older, even open little shops of their own, which are immediately graffitied by their younger colleagues. (They do it so nicely, though that no-one minds.)

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Really, Shibuya is far too cool for me, but it’s generous enough to let me hang out there anyway.

Most of our trekking was done on foot, although we did hop onto the subway sometimes. As we were generally travelling outside rush hours, Kin and Shallow were permitted to travel in purdah with me, in the “Ladies Only” section of the train (set aside to protect women travellers from sexual assault). Only some of our stations had installed suicide-prevention barriers or calming blue lights, but all played a happy jingle as each train approached, which some claim is another preventative measure.

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Personally, I found this ingenious creation much more cheery and engaging than yet another obnoxious noise on the Japanese subway.

Harajuku was so crowded, the tide of people almost washed us away. Shallow’s height became an advantage for the first time since he’d arrived in Tokyo (normally he just bumped his head on things) and he could keep an eye on Kin’s red hat bobbing away on the current. I just became flotsam and grabbed hold of whatever bits I could reach of either Shallow or Kin whenever the flow brought us close together. We saw a few examples of Harajuku fashion on people (and many more in the shops!) but if you really want to see Harajuku girls, visit Jingu Bashi, the Harajuku bridge, on Sunday afternoon. Right over the bridge is a peaceful Meiji Shrine and also Yoyogi Park, where we met with a friend and unexpectedly became part of a cherry-blossom viewing party with the staff of a Shinjuku publishing company.

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The park was so covered in eskies and picnic blankets that parties combined like slime mould, forming one ultra-party whose participants cheerfully shared their food and sake and posed for group photographs with strangers.

Islands can join very quickly, if sake is involved.

Much later, and a little unsteady, our whole cherry-blossom party was carolling about being fireworks in the karaoke booth where we’d had dinner. Our merry trek from Harajuku had gone past decorated trucks (each with a pair of feet pressed on the windscreen), night markets, outdoor raves and a woman quietly walking her meerkats through Shibuya.

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Just another night in Crazytown.

 

Gem

XX

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March was…

 

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Spring! Finally, actual, no-more-wishful-thinking SPRING! 

 

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The return of old friends…

 

 

 

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Including Shallow!

 

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Rediscovering that Tokyo is insane.

 

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Parties! Actual outdoor ones, after dark!

 

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Hanami (cherry-blossom viewing) in Yoyogi Park. There were so many different parties going on that they all sort of made one BIG party!

 

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The Indoor Refugees’ triumphant return to the Great Outdoors.

 

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Gem’s birthday! These are my presents from Kin, including Kyoto courtyard gardening books and a gorgeous new (second hand) goldy-green kimono! My parents have a finger lime waiting for me back in Oz as well, so I have a pretty good haul this year. Thank you everyone! – Gem

 

March began chilly and still, but soon warmed up to be busy, busy, busy, with trips, events and new discoveries popping up every day!  March was new blooms, night buses and near-nudity! Well….

Okay, no-one’s actually naked, but now that we’ve peeled off the layers of yeti-skins we’ve been wearing all winter and are walking around in actual human clothes, we feel a bit that way. It’s so lovely to be able to wear pretty clothes again and to just step outside whenever you feel like it! The ducks are back, the bats are back, insects are busy everywhere you look and we have survived our LAST EVER Northern Hemisphere winter! In four months, we’ll be back where the weather is sane!

February’s promise has definitely been met; the earth has warmed, nature is hard at work and it’s time for things to happen. And our countdown to Australia gets shorter every day…

It’s go-time!

Kin and Gem

XX

 

A Week of Willies

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Yes, that is exactly what it looks like. A 2.5 metre, 250 kg, giant, wooden wang.

It’s amazing, isn’t it, that when something’s on your mind, it just seems to keep cropping up? This week, from the new run of “Please do not expose yourself to other commuters,” signs on the train to an unexpected linguistic discussion (that resulted in three people chanting “dickbread dickbread, dickbread” in Portuguese for almost seven minutes), the universe just keeps coming up bellends.

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Today’s post, believe it or not, has a religious theme.  I give you:

Dongs of Praise

Komaki’s spring fertility festival is one of the internet’s favourite spiritual events. I’m guessing you can see why.

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The festival is actually called Hounen-sai or Hounen Matsuri, but people usually just call it the Penis Festival. Again, I’m guessing you can understand.

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Although a lot happens at this festival (like dancing, rice-cake throwing and traditional music) the main event is the rowdy procession bearing a giant carved phallus to its new home in Tagata Jinja, the old home of Tamahime who, along with her children, developed the area during the Yamato period. Tamahime, like many ladies of the time, did not live with her husband, but rather received him as a regular visitor in her home and… I think you’re beginning to perceive the oh-so-subtle symbolism of the festival.

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In the old days, the giant penis was actually attached to the crotch of a straw samurai, borne along by the inebriated procession, which seems a lot more graphic to me. These days, it’s modestly snuggled into a portable shrine, but is much, much bigger, meaning the bearers have to struggle along with around four hundred kilos of weight on their shoulders. And not just calmly hauling the thing either, but actually bouncing, spinning and waving it around to the cheers of the intoxicated crowd. Needless to say, the bearers need to put away even more sake than the spectators to manage this feat.

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At Tagata Jinja, the penis is installed in the place of honour, while last year’s model is auctioned off to local householders and businesses. (And can I just mention that this is the best tradition ever? Just think, in the living rooms and public spaces of literally hundreds of normal-seeming Aichi homes and shops lurk enormous, metres-long, polished, hardwood wangs. Hundreds. Whenever you feel sad, or start believing the world is empty of magic, just remember that.)

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The long history of the shrine is why, I think you sometimes hear painfully sincere foreigners speaking earnestly about the real meaning of the festival, which is not waving genitals around on sticks, but is instead a solemn veneration of the divine generative and restorative properties of the earth and season.

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Uh huh.

I think that modern city dwellers need to understand that olden-day rurals enjoyed a good metaphor as much as anyone; and enjoyed a dirty joke even more! Ensuring the blessedness of the sacred earth is important to a community making its living from the soil, it’s true. But if you can manage your religious observations while drunk and waving a willy on a stick, so much the better. If the shrines wanted to encourage solemnity of worship, they wouldn’t hand out unlimited free sake and dick-whistles. The locals have been enjoying the joke for 1500 years. You can enjoy it too.

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Kin and I were actually pretty sober for this year’s festival, despite the best efforts of the shrine volunteers to fix that state. After a quick wander around the food stalls (selling a variety of phallic snacks) we made our way with Dudebro and Granita to join the throng of spectators waiting for the giant wang to wind by. The three of them found an okay spot by the  road (the best thing about this festival is that, unlike many others, the procession is so long that everyone who wants to see the event gets a chance to) while I wound up on the other side, near the most horrible old lady I’ve ever met.

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Seriously, she was great; she made her way to the front of the crowd by leaving a trail of the most horrible carnage behind her.  I only became aware of her after she inserted one ancient and extremely pointy elbow underneath my floating rib while doing the same to the gentleman on her other side. When both of us yelled and turned slightly away from the injury, the old buzzard had enough room to reach the sake cart, snatch two cups and scurry away.  I was keeping an eye out for her after that, so I got to watch her repeat that action many, many more times.

The procession was the usual wonderful spectacle of graphic banners, men in silly hats, and penises, both large and…. well, still pretty large actually.

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Not to mention people handing out still more cups of sake which, after a while, I just started handing directly to the awful old lady (who received them with the same natural gratitude as a duck accepts breadcrumbs).

We then raced the procession to Tagata Jinja itself, to revisit the food stalls and view the current collection of penis-shaped items accumulated by the shrine.

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Tagata Jinja is worth a visit at any time of year. Anyone in the area who finds anything even remotely penis-shaped trots off with it to the shrine and donates it to the cock-collection. Which sounds like one of the easiest and most entertaining methods of fulfilling your religious obligations that exists in the world to date. There are also a lot of carefully carved or cast penises, (including a penis-shaped shrine bell) and, while the big fellas are auctioned off these days,  there are still a good many Dicks of Christmas Past (as it were) arranged within the shrine.

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The Tell-Tale Dick

In rod-related revelations closer to home, it seems that the build-up to exams has infused the Dick Phantom with a fresh burst of creative energy. Kin tells me that the Phantom’s artistic sensibilities have not greatly matured during this period, but it seems that his productive output has increased significantly… to the point where he’s becoming careless.

His first slip was discovered a few weeks ago, when Kin, stacking desks after a second-year exam overturned one to reveal a lovingly-rendered, extremely veiny illustration, sketched by the master himself.

Kin, himself an accomplished phallic artist, is unwilling to expose a brother to the long arm of the law, so he continued stacking desks without trying to determine who had been sitting at this one. (I wish I were joking, by the way. He once drew an enormous, horribly graphic one on our metre-long whiteboard and I got so used to looking at the damn thing that I forgot to erase it before my grandmother came to visit.)

But then, last week, while marking the papers themselves, Kin turned a page and revealed the final clue to the Phantom’s identity… in the form of a gigantic, hairy knob scratched into the student’s completed and SIGNED examination paper.

The moment was pivotal. “Is this…a cry for help? Is the Phantom weary of life in the shadows? Does he actively seek apprehension and redemption in the light?”

“Or did the dumb little bastard just get bored and draw a dick on his exam paper like he does everything else?”

Figuring it was the second, Kin marked the paper, carefully closed it and returned it to the stack, still determined not to lose a comrade in arms.

“Fight on, Brother. Fight on.”

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They are legion.

Gem

XX

P.S. We’ll be putting up a more complete album on our Facebook page on Sunday.

 

P.P.S. For those who are wondering what sort of linguistic discussion could result in three people gravely intoning “dickbread” at one another for an extended period, it was a phonetics conversation about minimal pairs and meaning contrast on nasal vowels in Portuguese. Pau pão was the only sound set Granita could come up with, and it was only after we’d spent several minutes attempting to accurately reproduce the words that one of us asked about their meaning.

Pau pão : Dick, bread.

Welcome, Spring!

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…or maybe not. That is my school this morning. What the hell, man?

To an East-coast Australian, ice is NOT a substance that occurs in nature. Ice is produced by machinery and found in drinks. There is no good reason for it to just appear all over the place and even less reason for it to hang around for months at a time, getting thicker and meaner-looking every night. And there is absolutely NO possible excuse for it to roar back again NOW, when both the plum blossoms and my spirit were just starting to unfurl some tentative blooms.

Still…

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…plum blossoms are tough and there have been some signs today that I may soon get my spring; like the honest-to-goodness waterfall tumbling off the roof of the gym. This morning, it was just beginning to trickle, but it was cascading by lunchtime and now it resembles alpine thaw in a nature documentary, just before the music turns to woodwinds and a time-lapsed field of edelweiss blooms.

I can only hope.

During the relatively snow-free weekend, though, Kin and I both popped on our coats (and hats and gloves and boots and scarves and mufflers and three layers of thermal underwear) and went to meet Gecko Sensei, my Tea Ceremony teacher in a watery little town to the south of Nagahama, called Gokasho.

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To Grandmother’s House

Gokasho is one of Shiga’s Omi merchant towns from the Edo Period. The Omi merchants’ business took them all over Japan, but their families and their valuables remained safely installed in exquisite (not to mention highly secure) mansions in Shiga. Omihachiman is probably the most famous of these towns, but I find Gokasho with its spectacularly laid-out gardens and population of fat, friendly carp in the canals beside the roads, far, far more charming.

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In theory, we were there to see the town’s Hinamatsuri displays. Sensei is the archetypal Yamato Nadeshiko, so a visit to a girl’s festival is exactly the sort of outing she enjoys. Kin finds Hinamatsuri dolls as creepy as hell, but is fond of Sensei and doesn’t trust her wobbling around unaccompanied when she’s wearing zori (which is pretty much all of the time). I find the displays fairly interesting, but mostly want any excuse to poke around in the magnificent gardens and old family homes (not to mention tickle a carp or two, should the opportunity arise).

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For all of this meticulously planned magnificence, Gokasho isn’t imposing in the way that, say, Kakunodate or Nara can be. For one thing, it’s very obviously a little country village, even if it IS a little country village built and maintained by fabulously wealthy businesspeople. For another, any family home which has lasted for more than two generations develops a really awesome “Nan’s place” vibe ESPECIALLY if that home has since been making an effort to hang onto any item of potential historical value. That means that every old box that every Omi Mum has packed away for the last several hundred years has been unpacked and displayed, including the recent ones, so that next to each other are centuries-old teakettles, exquisitely lacquered furniture, plastic elephants on wheels and shelves of things like combs, old toys and tacky seaside ornaments made from shells, glue and googly eyes.

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It’s an incredibly relaxing place for somewhere so interesting. And just look at this kitchen!

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I’m always drawn to kitchens, but this was a particularly beautiful example of its breed. A person could really work in a kitchen like that.

The Gokasho gardens are surrounded by high walls and each one is different from all of the others.

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I’m certain that the houses and gardens were planned simultaneously, as they complement each other so perfectly and each household seems to have chosen their own aesthetic. One family constructed a fascinatingly erratic landscape with hills, cliffs and a boulder-filled river. Another produced one that was peacefully flat, rambling and flower-filled, except where it rose around the lake (which the house was constructed to showcase).

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My favourite garden looks like a small, dry forest with uneven stone paths winding through it. It’s kind of hard to explain what exactly is so breathtaking about that, but somehow this garden manages to feel completely peaceful and separate from the world outside its walls.

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And any way, any town where the fish follow you around has to be pretty cool.

(A more complete album of Kin’s pictures can be found on our Facebook page.)

Keeping it cool (unfortunately).

Gem

XX

EDIT: Ugh, I’ve just seen some of the photos of Gokasho available online and they give COMPLETELY the wrong idea of the place. It may be time to buy Kin that 32mm Prime lens and let him do it right.

February was…

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The first faint stirrings of spring!

 

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Indoors, that is.

(This is the Nagahama Bonbai Festival; a lovely collection of plum blossom bonsai.)

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Frost-free cycling!

Mostly.

 

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Warm times with friends. Indoors.

 

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Peaceful times at home. Indoors.

 

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The first insect of the season! Also indoors; this little guy followed us in with a load of washing and settled straight onto the indoor refugees.

 

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Time for learning.

 

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And practice.
(You can peek at more of Kin’s practice on our Facebook page)

 

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And time for wine! Although much less than usual; this work with the physio is really paying off.

 

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And time to see how other people feel the change of the season.

February was flowers, fun and frosty mornings. It was brisk walks outdoors and warm cuppas indoors, not to mention some Kansai travel with friends. It was also waiting, waiting, waiting! Waiting for the warm weather; it’s so close now, we can almost TASTE it. Waiting for the school holiday. And waiting for Shallow‘s arrival in March!  February was potential; but we are oh, so ready for the actuality of March.

Let’s get this year moving!

Kin and Gem

XX

 

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